I start university in 2 weeks and this is how I spend some of my last days as a free man. do I surprise anyone anymore [original]
unspeakablevice can we please make matching icons out of these at least temporarily omfg
Multi-awarded actress Maggie Smith was halfway through her cancer treatment when she made Harry Potter and The Half-Blood Prince, starring as Professor Minerva McGonagall.
“I was hairless. I had no problem getting the wig on. I was like a boiled egg,” she said.
The chemotherapy was, she said, “something that makes you feel much worse than the cancer itself”. “You feel horribly sick. I was holding on to railings, thinking ‘I can’t do this’,” she said.
But she insisted she will “stagger through” the final Harry Potter film, The Deathly Hallows. Let’s just pause and ponder on how awesome this woman is, a true Gryffindor.
I will never not reblog this. This woman is my hero. I’ve seen what my mom went through with chemo. To go through it and still put on such a moving performance is something she should be very proud of.
10 BETTER BODY AFFIRMATIONS
1. Your body is in flux for the rest of your life. Think of your body as fluid instead of static — it’s always going to change. So get comfortable with those changes.
2. No one will love you or not love you because of your body. You are lovable because you’re you, not because your body looks a certain way.
3. The most intensely personal relationship you’ll ever have is with your body. It’s a lifelong relationship that’s well worth investing in and nurturing the same way you would with loved ones.
4. You don’t owe your body to anyone. Not sexually, not aesthetically. Your body is yours. Period.
5. What someone else says about your body says more about them than it does about you. Look past the actual snark to the person who’s saying it, because it’s only a reflection of what they think of themselves. That’s when you’ll see how little power their words have.
6. Your body is not a reflection of your character. It’s a physical home for the complex and wondrous and unique being that is you.
7. Take up as much space as you want. You don’t have to be small, or quiet, or docile, regardless of your physical size.
8. Everything you need to accept your body is already inside you. There’s no book, or diet, or workout routine or external affirmation that you need to feel good about your body right now.
9. Your body is a priority. It’s always trying to tell you things. Taking the time to listen to is of the utmost importance.
10. Wear whatever you want. Your body shape does not dictate your personal style, and fashion rules that say otherwise are wrong. Dress yourself in a way that makes you feel happy and confident and beautiful, because guess what? You are.
Anonymous said: Towards the whole "pronouns hurt people's feelings" topic. Am I REALLY the only person on the planet that thinks people are becoming far to sensative? Nearly to the point that they shouldn't leave their little home bubbles in the case that a bird chirps next to them in a way that sounds like a mean word. Maybe, JUST MAYBE, we're becoming a little TOO coddling and people need to learn to deal with simplistic shit like words. And yes, I've been insulted and made fun of. I got over it. So can you.
Supposedly invented by the Chinese, there is an ancient form of torture that is nothing more than cold, tiny drops falling upon a person’s forehead.
On its own, a single drop is nothing. It falls upon the brow making a tiny splash. It doesn’t hurt. No real harm comes from it.
In multitudes, the drops are still fairly harmless. Other than a damp forehead, there really is no cause for concern.
The key to the torture is being restrained. You cannot move. You must feel each drop. You have lost all control over stopping these drops of water from splashing on your forehead.
It still doesn’t seem like that big of a deal. But person after person, time and time again—would completely unravel psychologically. They all had a breaking point where each drop turned into a horror. Building and building until all sense of sanity was completely lost.
"It was just a joke, quit being so sensitive."
"They used the wrong pronoun, big deal."
"So your parents don’t understand, it could be worse."
Day after day. Drop after drop. It builds up. A single instance on its own is no big deal. A few drops, not a problem. But when you are restrained, when you cannot escape the drops, when it is unending—these drops can be agony.
People aren’t sensitive because they can’t take a joke. Because they can’t take being misgendered one time. Because they lack a thick skin.
People are sensitive because the drops are unending and they have no escape from them.
You are only seeing the tiny, harmless, single drop hitting these so-called “sensitive” people. You are failing to see the thousands of drops endured before that. You are failing to see the restraints that make them inescapable.
How to use Duos, Trios, Quads, Quintets???! (A few basic shapes that work with all eye shapes)
The first thing I always tell people when it comes to eye shadow application is - find your socket line. And learn to separate that from your crease.
There is a myth about applying shadows “on/within your crease”. Well that’s fine if you have very defined, even, thick lid folds. But if you have hooded eyes, mono-lids, or smaller lids where the crease is either not visible or not high enough, many eye-shadow looks can be very unflattering or they simply disappear when you open your eyes.
What to do? Simply replace the word “crease” with “socket line” from today on. If you have mono-lids and hooded lids, it’s important to blend your shadows UP TO your socket line at least. That not only defines your natural contours but also widens the eye.
- Your socket line is where your eyeball dips into your orbital bone. Close your eyes and feel for it.
- Flattering eyeshadow looks are all about "creating shadow and light" in the right places. Even if your eye contours aren’t very defined naturally, placing a bit of deeper color along your socket line and a pale shade in the center of your lid will create the illusion of more pronounced contours without making you look too dramatic.
- I DON’T recommend creating a fake socket line higher or lower than your natural one. It can go very very wrong unless you’re an absolute pro.
- Many times we use brushes that are way too big or fluffy. If you have small lids or eyes, a smaller, round-ferrule pencil brush like the one from 13rushes can make life a lot easier. Go for the flatter, wider brushes if you have a bigger lid space to work with.
Now that we’ve got that covered, you can get back to the question of “what the heck do I do with this palette that has 2-3-4-5 shades?!” and look at the images above as a reference for where colors go.
Don’t be restricted by the image with the 4 shadow palettes and the labels on each of the shades. It’s there as a reference but the best thing is to look at the eye charts, because you can use any 2 shades in a quad or a 5-color palette as a duo using a DUO diagram.
Steps don’t include liner (optional) and mascara, so you just add them later.
THESE ARE NOT RULES. They’re just basic guidelines for those who aren’t too familiar with eye makeup yet.
Lastly, when looking for eyeshadow palettes, here are some beginners’ tips:
- My palette has one cream/liner/glitter shade! Well, take those out of the equation and see how many regular shadows are left. If there are 3, shadows left, follow the TRIO diagram. If there are 2, follow the DUO diagrams.
- Erm, so what do I do with base/liner/glitter shades? Apply the base all over from lash line to socket bone before you begin (you don’t need to go all the way to your brows unless you want a dramatic look). For glitter shades, you can apply them as a wash all over when you’re done with the rest of your eyeshadows, or down the center of the eye for a “wet look” when you blink. Liner shades are self explanatory!
- DUOS: look for those where 1 shade is the same lightness or lighter than your skin color, and 1 shade is darker/smokier. Doesn’t matter if they are metallic, shimmery, matte, sparkly. For most basic daily makeup looks, you just need a light and dark to define your eyes.
- All palettes: make sure there is a "balance of light to dark shades". This means at least 1 softer shade and at least 1 dark shade that is deep enough to act as a definer shade. (There are a lot of palettes where all 3-4 shades are pretty shimmery pastels. Well, sorry but they’ll look nicer on your vanity table than on your face. You need a darker shade there for definition and contouring in order for the palette to look flattering.
- QUADS: What do you do if there are 2 pale shades? Which should you apply on your brow bone, and which as an accent in the center of your eye? The less shimmery/sparkly one on the brow bone, and the more dramatic and reflective one on the center of the eye. If they’re about the same texture, then it doesn’t matter which you use where.
- 5-6 SHADE PALETTES: Many people find them overwhelming, but you really don’t need to wear all the colors everyday. You can pick 2-3 shades and wear them as a duo or trio (See diagrams) easily. So they actually give you the most options!
Some Idiot-proof Eyeshadow recommendations:
Duos: Laura Mercier eyeshadow duos. Always well coordinated, with 1 soft/matte shade and 1 darker, richer one. Takes the guess-work out of eyeshadow application.
Trios: A lot of drugstore brands like Wet n Wild Color Icon have pre-coordinated trios with the shades marked out as lid, crease, browbone for you. Just remember “crease” = socket line. In the higher end range, Dior’s 3 Couleurs are beautifully coordinated and easy to use and blend.
Quads: Tom Fords and Chanels have some of the easier to use luxe quads in the market, but if you’re going for the Tom Fords, remember to minus out the sparkle shades. (E.g. 01 Golden Mink is what I’d consider a duo, not a quad, because there are 2 sparkle shades out of the 4, and I’d apply the 2 satin shades using one of the DUO diagrams above, and then decide how I want to apply the sparkles.)
**Laneige Pure Radiant eyeshadow quads (S$40) are a fantastic alternative - not dupes cos there are no exact palette matches, but great alternatives - for Tom Fords (S$100) because the satins and glitter textures, as well as a few of the shades, are actually very very similar. If you love the look of TFs but find the prices a little steep in Asia, take a look at the Laneige counter! See for yourself!
Quintets: Lancome’s Hypnose palettes are still one of my favorites. They usually have the BEST balance of dark and light shades, and they’re perfectly coordinated with each other, so you can pick any 2-3 shades out of the 5 and go.
**Diors are a good option if you have more mature lids or prefer smoother, more translucent pigments but the 5 couleurs are’t as well-balanced as Lancomes, so unless you’re very experienced and know how to add definition using liner and mascara, I’d pick a few colors and use these palettes as duos and trios rather than a quintet.
If you want to break the rules completely and do it like makeup artists do sometimes, NARS’ duos are pretty much on the opposite spectrum to Laura Mercier.
They do have light vs dark shades too, but there are also tons of funky clashing duos designed for maximum drama on the lids. Stuff like Rated R (lime and blue) and Bysance (yellow and violet) can still be applied using the 2 DUO diagrams above, but the final effect will be VERY bold. Probably better for the club than for school or work.
This is like alchemy what the fuck
This is a FANTASTIC tutorial, and absolutely can be used with darker or more vibrant colors.
Are fedoras really that bad?
YES YES THEY ARE
I don’t really believe this mumbo jumbo
I mean it’s a goddamn hat.
The white rose, it symbolizes the unique beauty of all the women who wish not to be with a nice guy such as myse-
I wonder if this works with other kinds of hat…
Nothing ventured, nothing gained…
WHEEEN THE MOON HITS YOUR EYE LIKE A BIG PIZZA PIE THAT’S AMORREEEEEEEEEEEEEEEEEE